Age of information
Greek & Latin
Mind & Brain
Science & Art
☞ A Box Of Stories
As the tide goes clear out, so it comes clear in. In business sometimes prospects may seem darkest when really they are on the turn. A little more persistence, a little more effort, and what seemed hopeless failure may turn to glorious success. There is no failure except in no longer trying. There is no defeat except from within, no really insurmountable barrier save our own inherent weakness of purpose.
A single ray of light from a distant star falling upon the eye of a tyrant in bygone times may have altered the course of his life, may have changed the destiny of nations, may have transformed the surface of the globe, so intricate, so inconceivably complex are the processes in Nature. In no way can we get such an overwhelming idea of the grandeur of Nature than when we consider, that in accordance with the law of the conservation of energy, throughout the Infinite, the forces are in a perfect balance, and hence the energy of a single thought may determine the motion of a universe.
When life gets creative, it has a tendency to gravitate toward certain recurring patterns, whether those patterns are self-organizing, or whether they are deliberately crafted by human agents.
“What Descartes did was a good step. You have added much several ways, and especially in taking the colours of thin plates into philosophical consideration. If I have seen a little further it is by standing on the shoulders of Giants.”
— Sir Isaac Newton in a letter to Robert Hooke in 1676
“Bernard of Chartres used to say that we are like dwarfs on the shoulders of giants, so that we can see more than they, and things at a greater distance, not by virtue of any sharpness of sight on our part, or any physical distinction, but because we are carried high and raised up by their giant size.”
— Bernard of Chartres, a twelfth-century French Neo-Platonist philosopher, paraphrased by John of Salisbury in the 12th century. (Illustration and inspiration: TYWKIWDBI (“Tai-Wiki-Widbee”).
“It’s not true that you should first think up an idea for a better world and only then “put it into practice,” but, rather, through the fact of your existence in the world, you create the idea or manifest it — create it, as it were, from the “material of the world,” articulate it in the “language of the world.
How did Einstein’s musical practice inform his scientific work
“If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music.” — Albert Einstein
“When I examine myself and my methods of thought, I come close to the conclusion that the gift of imagination has meant more to me than any talent for absorbing absolute knowledge. (…) All great achievements of science must start from intuitive knowledge. I believe in intuition and inspiration. (…) At times I feel certain I am right while not knowing the reason.”
— Albert Einstein cited in Paul Schilpp, 1979, Albert Einstein: Autobiographical Notes
“The theory of relativity occurred to me by intuition, and music is the driving force behind this intuition. My parents had me study the violin from the time I was six. My new discovery is the result of musical perception."
— A. Einstein stated to Shinichi Suzuki, musical historian and instructor cited in Shinichi Suzuki, 1969. “Nurtured by Love. A New Approach to Education”, p.90.
“Imagination is more important than knowledge.”
— A. Einstein cited in Alice Calaprice, 2000, The Expanded Quotable Einstein” p. 10, 22, 287.
“Whenever he felt that he had come to the end of the road or into a difficult situation in his work, he would take refuge in music, and that would usually resolve all his difficulties.”
— Hans Einstein, Einstein’s son cited in Ronald W. Clark, 1971. “Einstein. The Life and Times”, p106.
“After playing piano, he would get up saying ‘There, now I’ve got it’, something in the music would guide his thoughts in new and creative directions.”
— Einstein’s sister Maja, cited in Jamie Sayen, 1985. ”Einstein in America”, p26.
“Einstein recognized an unexplainable connection between music and his science, and notes that Einstein’s mentor, Ernst Mach had indicated that music and the aural experience were the organ to describe space.”
— Einstein’s close friend Alexander Mozskowski cited in Robert Mueller, 1967 unknown work, p171.
Inspired by Quora question: How did Einstein’s musical practice inform his scientific work?
☞ Brian Foster, Einstein and his love of music (pdf), physicsweb, Jan, 2005
☞ Arthur I. Miller, A Genius Finds Inspiration in the Music of Another, NYT, Jan 31, 2006.
“Is the eternal quest for precise information always worthwhile? Our research suggests that, at times, vagueness has its merits. Not knowing precisely how they are progressing lets people generate positive expectancies that allow them to perform better. The fuzzy boundaries afforded by vague information allow people to distort that information in a favorable manner. This latitude positively influences behavior by affecting outcome expectancies.
"As William James pointed out, vagueness is not without virtues. Sometimes, precision is dangerous, a closed door keeping us from imagining new possibilities. Vagueness is that door flung wide open, a reminder that we don’t yet know the answer, that we might still get better, that we have yet to fail.”
Conversely, the very nature of precise information prevents people from distorting it and forces them to be objective about their expectancies, which in turn may have a less positive influence on performance. (…)
The malleability of vague information allows people to interpret it in the manner they desire, so that they can generate positive response expectancies and, thereby, perform better. (…) Hence, on certain occasions, precise information is not as helpful as vague information in boosting performance.” “